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Origen y gestación de una contracultura"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"27695"},["text","Maximiliano Sánchez Mondaca"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"27697"},["text","Tesis para optar al título de Sociólogo. --- Universidad de Chile"]],["elementText",{"elementTextId":"27699"},["text","La modernidad ha impactado fuertemente en las nuevas formas de relación entre los jóvenes, este hecho se hizo aúnmás visible en nuestro país con la irrupción del régimen militar en 1973. Este nuevo régimen político re-estructuro el país enmuchas esferas e hizo que los jóvenes se adoptaran diferentes formas de enfrentarse y desenvolverse en este escenario.La siguiente investigación da cuenta del origen de la contracultura Thrash Metal en Chile en un contexto de dictaduradonde la represión policial, la censura a los medios de comunicación y la exacerbada estigmatización por parte de la sociedadadulta hacia las nacientes sub-culturas juveniles generan una respuesta de un cierto sector de jóvenes mediante formas deagrupación contraculturales y apolíticas que van dando cuenta una nueva sensibilidad juvenil.En el primer capítulo se plantea el problema a investigar articulando todas las dimensiones que de él se desprenden,tomando en cuenta el contexto sociopolítico y de que forma el Thrash se gesta como un movimiento contracultural juvenilalternativo dentro de ese contexto. A Partir de la problematización de esas temáticas se plantean objetivos que darán cuenta delmovimiento Thrash en sus orígenes.Un segundo capítulo corresponde a una aproximación conceptual al tema, lo que muestra de qué manera se puedeencausar teóricamente el problema a investigar. En éste capítulo se incluyen tópicos tales como el contexto sociopolítico, lajuventud, las sub-culturas y las contraculturas, el Rock chileno y una aproximación al fenómeno Thrash en Chile.El tercer capítulo da cuentas de los enfoques metodológicos más idóneos para aproximarnos a nuestro objeto deestudio, y de qué forma vamos a producir la información para dar cuenta del problema de investigación y de los objetivospropuestos.El siguiente capítulo nos entrega el análisis de la información que producimos. Mediante el análisis de los discursos delas y los jóvenes se pretende dar cuenta de ciertas estructuras subyacentes a la realidad del Thrash. Los análisis son guiadosmediante una pauta que fue estructurada de acuerdo a los objetivos de la investigación.Un último capítulo da cuenta de las conclusiones obtenidas en base a la información analizada y los objetivospropuestos. La idea de la conclusión es básicamente lograr una formulación teórica respecto al problema que aporte una visiónfidedigna respecto a la contracultura Thrash. 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